publicações selecionadas
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artigo académico
- “Comjuring Something Out of Nothing: O Elefante no Meio da Sala [The Elephant in the Room] by Vânia Doutel Vaz”. Sinais de Cena. 2023
- Rayner, Francesca. 2023. “100 Anos de Teatro em Portugal” [100 Years of Theatre in Portugal” in Cenários Passados [Scenes from the Past], programme for the Odisseia Nacional [National Odyssey], Teatro Nacional D. Maria II 2023
- Review of Uma Curadoria da Falta: O Serviço ACARTE da Fundação Calouste Gulbenkian 1984-1989 [Curating Lack: The ACARTE Service of the Calouste Gulbenkian Foundation 1984-1989], . EASTAP (European Journal of Theatre and Performance). 2022
- Timon of Athens by Teatro Praga at the Centro Cultural de Belém, Lisbon, 2019 . Reviewing Shakespeare. 2019
- Hotel Europa 2019
- Introduction. Diacrítica. 2019
- Performing Memory: Amores Pós-Coloniais [Post-Colonial Loves] by Hotel Europa. Revista de Comunicação e Linguagens. 2019
- A Floresta que Anda. The Moving Forest. Dir. Christiane Jatahy. Teatro Nacional Dona Maria II, Lisbon, Portugal . Multicultural Shakespeare Translation Appropriation and Performance. 2018
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artigo de revista
- Performing the paradox: collaboration as intervention in Eis o Homem. Studies in Theatre and Performance. 2020
- The footballer, the trickster and the dictator: disidentified national subjects and failed europeans in Nuno Cardoso's portuguese Shakespeares. Cahiers Elisabethains. 2018
- Dehierarchizing Space: Performer-Audience Collaborations in Two Portuguese Performances of Shakespeare. Multicultural Shakespeare. 2017
- Investigação Artística em contexto universitário em Portugal. Repertório. 2016
- Adapting Macbeth in a Lusophone context: The challenges of intercultural performance. Sederi-Yearbook of the Spanish and Portuguese SocIETy for English Renaissance Studies. 2015
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capítulo de livro
- Cesário Quê?: Insinuações lésbicas na peça encenada pelo Teatro Estúdio de Lisboa”[Cesário Who?: Intimations of lesbianism in the staging of the play by Teatro Estúdio de Lisboa] 2022
- “Staying with the Trouble” 2022
- Rayner, Francesca. 2021. ‘Were I the Moor, I would not be Iago’: Radical empathy in two Portuguese performances of Othello” 2021
- As artes performativas e os desafios do futuro 2020
- As Artes Performativas e os Desafios do Futuro (The Performing Arts and the Challenges of the Future) 2020
- Chapter 2 The Performance History 2019
- Resistance as a Mode of Being Gender and Performance in Contemporary Portuguese Theatre 2018
- O corpo presente: Feminismo e Performance de Shakespeare em Portugal 2017
- Rayner, Francesca “Whose Performance is it Anyway?: Co-Creation by Performers and Audiences in Contemporary Performance” Imprensa da Universidade de Coimbra, 2017. 2017
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documento
- Challenging the inevitable: Anatomy of a Suicide at the Royal Court Theatre London. Sinais de Cena. 2018
- A Floresta que Anda (The Moving Forest). Dir. Christiane Jatahy. Teatro Nacional Dona Maria II, Lisbon, Portugal. Multicultural Shakespeare. 2018
- Configurações [N.º 22 (dez. 2018)]: Arte política e social: discursos e práticas. Configurações. 2018
- Introdução: Arte política e social: discursos e práticas 2018
- Marianne Novy. 2017. Shakespeare and feminist theory. Bloomsbury: London. Sederi-Yearbook of the Spanish and Portuguese SocIETy for English Renaissance Studies. 2018
- Phantasms of Africa: Teatro Praga’s Zululuzuand mala voadora’s Moçambique 2017
- Collaborating across borders: Theatre for Integration Project in Portugal 2017
- Lear, Primeiros Sintomas dir. Bruno Bravo @ Teatro Nacional Dona Maria II, Lisbon, 2017, 2017
- Shakespeare in Spain: An Annotated Bilingual Bibliography. Cahiers Elisabethains. 2016
- Richard III @ Teatro Nacional Dona Maria II, Lisbon, Portugal 2015
- Antony and Cleopatra @ Centro Cultural Vila Flor, Guimarães, Portugal, 2015 2015
- Adapting Macbeth in a Lusophone context: The challenges of intercultural performance 2015
- [Recensão a] Gomes, Miguel Ramalhete (2014) Texts Waiting for History: William Shakespeare re-imagined by Heiner Müller. Amsterdam and New York: Rodopi. Sederi-Yearbook of the Spanish and Portuguese SocIETy for English Renaissance Studies. 2015
- Género, Cultura Visual e Performance [Gender, Visual Culture and Performance] 2011
- Shakespeare in the Spanish Theatre: 1772 to the Present. Sederi-Yearbook of the Spanish and Portuguese SocIETy for English Renaissance Studies. 2011
- Review of Ricardo II (directed by Nuno Cardoso) at the Teatro Carlos Alberto, Porto, Portugal, October–November 2007. Shakespeare. 2008
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livro
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teses
- Um valoroso lugar incerto: a cartografia do humano em Uma viagem à Índia de Gonçalo M. Tavares 2018
- Putting it together: postmodernism and the musicals of Stephen Sondheim 2017
- Despidos em palco : a representação de Sarah Kane e Mark Ravenhill em Portugal 2014
- From the margins into the mainstream : Roy Williams and black british theatre (1995-2010) 2012
- Shakespeare for the people : Kenneth Branagh’s revision of romantic comedy 2012
- The representation of sexual transgression in three portuguese productions of Shakespeare 2004